Is your prose too purple or too flat?

Is your prose too purple or too flat?

purple prose

Work from pithy middle eye out, swimming in language sea

So, as we discussed in a previous post, we don’t want to try too hard with our prose. If we get too carried away we’re in danger of going into the purple zone.

Purple prose is writing that is overly embellished. For me, the first thing that tips me off to purple prose are sentences that distract me from the story.

It’s a tricky balancing act to write descriptively without overdoing it. Some writers write more simply and let the story make the impact. Others have longer, slower plots that would put me to sleep if it wasn’t for their beautiful language.

I love language and the long, complex sentences that were common in fiction a few hundreds years ago. But modern readers are not so keen on a sentence that involves ten types of punctuation and occupies half a page. I’ve had to tone it down a notch.

So where is this elusive spot between purple prose and plain, boring writing? We swim in a language sea. How do we distill our ideas into the right words?

By writing a lot and reading even more.

Sometimes I don’t realize what I’m doing to my reader until it’s done to me. This can be a rude awakening, but it brings priceless self-awareness to your writing voice.

What are your thoughts?

Happy Writing,

Christa

Follow Your Curiosity

Follow Your Curiosity

follow your curiosity

The jewel center of interest is the eye within the eye

So, we are past the halfway mark of Jack Kerouac’s Belief and Technique for Modern Prose, and he is riffing off his ideas like a heroin-infused jazz musician.

I am doing my best to elaborate on them, and I can’t promise you that my interpretation is what he meant. Some of his tips are very abstract, like this one about “the eye within the eye.”

But art is a two-way exchange. What the creator transmits and what the consumer receives may be two different things. Sometimes that’s the point of it.

So here’s my stab at #16.

I believe the jewel center of interest is curiosity. It is the eye within the eye because our curiosity is wisdom itself. It knows where to lead us, even when we think we are lost. And if we never find the answer we expected, our quest to leads to discoveries we never dreamed of.

For example, say you’ve outlined the perfect story. Then, as you write, you go wildly off course. You think you’ve ruined it, but you’re curious to see what happens. You keep going and once you’ve arrived at the end you realize that it’s much better than your original idea. In fact, you can’t picture it any other way.

What do you think? Am I close?

I’d love to hear your interpretation. Please share below!

Happy Writing,

Christa

Why writing is such a wonderful escape

Why writing is such a wonderful escape

interior monolog

Telling the true story of the world in interior monolog

We all walk around with an interior monolog. For most of us, it’s a jumble of surface thoughts like…

What should I make for dinner?

Did I pay the internet bill?

Why did this asshole cut me off in traffic?

Man, I shouldn’t have eaten that shrimp taco.

It’s estimated that 95% of our thoughts are repetitive. Many of them are negative and unproductive. If we wrote from this place, we would torture our reader.

But there is another monolog, the one we keep with our inner creator. This is the one we write from.

Tapping into this deeper layer gives us peace. This is why writing is such a wonderful escape. We dive beneath the choking stream of shallow thought and swim through the aquifer of the extraordinary.

Have you written from this place today?

–Christa

Get loose

Get loose

proust

Like Proust be an old teahead of time

I think we can safely say that Jack Kerouac may have been intoxicated when he wrote these writing tips. ‘Teahead’ means ‘pothead’ (I had to Google that).

I don’t know if Marcel Proust was really a pothead or if weed makes you a better writer. In my case THC gives me hamster cheeks and terrifying panic attacks.

What I think Jack is trying to say here (besides justifying his use of weed by making an accomplice out of a literary figure) is that you shouldn’t write by the rules.

Do whatever you need to do to get loose.

Kick back, relax, and wax philosophical.

Happy Writing!

Christa

What helps you to get loose?

Don’t let the dream slip away

Don’t let the dream slip away

In tranced fixation dreaming upon object before you

In tranced fixation dreaming upon object before you

Dear Writer,

Have you ever been in a writing trance? The muse. Divine inspiration. The force. Whatever you want to call it, when it’s there, you feel it. Nothing can stop you from creating the art you want to manifest into the world.

Well, except things like work, spouse, kids, social obligations… Life gets in the way.

Don’t waste this energy. When your neurons are on fire with an idea, hide somewhere for a writing sprint. Lock yourself in the closet. Get up at 2 a.m. when everyone else is asleep. Do what you have to do before the dream slips away.

Happy Writing,

—Christa

Where is your favorite writing place? Please share.

How do you know when you’re onto something good?

How do you know when you’re onto something good?

Visionary tics shivering in the chest

Visionary tics shivering in the chest

Dear Writer,

How do you know when you’re onto something good?

When your chest quakes with excitement.

When you constantly obsess over your idea.

When you hold in your pee for five hours because you can’t tear yourself away from your computer.

When you forget to eat and can’t sleep, but it doesn’t matter because you’re high on creativity.

This means the muses are with you. Modern science calls this the flow state. It is when you write your best.

Stay there and squeeze all you can out of it!

Happy Writing,

—Christa

How do you know when you’re onto something good? Please share!

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