How far would a caring mother go for the love of her husband and child? Perhaps too far? Today, Charlotta Amato reads her unsettling story, Glass Eyes, from her home in Norway.
Instagram @charlies_livity
Read Il Ragazzo, a Short Story on Storgy Literary Magazine
https://writersmastermindgroup.com
Unlock The Magical Creator Within is a workshop designed to help unleash your full creative potential using a mixture of psychological, spiritual, and most importantly practical techniques.
In this session you will explore the history of the “Muse”, the divine source of inspiration, and the first principles of establishing contact with the Muse; going back to early childhood experiences of beauty and how we can harness this in the now; practical exercises from yogic mudras (hand positions) to breathing techniques that centre the mind and open the channels of creative thought; and much much more.
Unlock The Magical Creator Within is your ticket to writing your best-ever story, one that is not only entertaining but also healing.
Joseph Sale is an editor and writing coach who’s published more than 30 books, including the acclaimed novel Dark Hilarity, the epic poem Virtue’s End, as well as ghost-written best-selling autobiographies and non-fiction books. As an editor, his clients have been nominated for the Bram Stoker and Splatterpunk Awards, been finalists in the National Indie Excellence and Eric Hoffer Awards, and even submitted to the Pulitzers.
Now, Joseph Sale is on a quest to manifest the beautiful and divine in the world, and wants to show other creators, editors, and writers how to do just that. This workshop is based on his new release, THE DIVINE: Unlocking the magical creator within.
An overview of what the Muse is and why we need the Muse.
Why is Beauty important how does it influence us?
Practical exercises to draw down the dew of inspiration.
Journey into the hidden depths of your subconscious and find your cave of ideas and wonder.
Learn how to harness your Shadow Self to produce greater art.
Changing your creative practice will change you.
If paperback book cannot be delivered to participant within one week of the class, the eBook format will be sent.
Make your purchase to have your free book sent now.
Get the Class + Book + Unlimited Access to Replays and Materials + $22
*****
Writers are notorious for suffering from Imposter Syndrome, writers’ block, and chronic procrastination. I, myself, struggle with these neuroses every day. They never completely go away, but I have discovered how to become a more confident writer.
I started writing ten years ago, having virtually no idea what I was doing. Although I managed to finish a few novels and novellas, I knew there were issues with my writing. The problem was, I couldn’t tell what they were.
In 2019, I finally decided to take my writing seriously and signed up for my first writing class—Contemporary Dark Fiction with Richard Thomas. He’s the award-winning author of three novels, three short story collections, two novellas, and over 150 short stories.
Required reading for the class was four novels, sixteen articles, and sixteen short stories. The work included weekly writing assignments, four complete short stories (one per month), four analyses of the assigned novels, and critiques of the eight other student’s monthly stories. We also met once a week on video conference to discuss the week’s material.
I do not have a college degree. What little I knew about fiction I learned from reading my favorite authors and Google. To say this class was intimidating was an understatement!
But I dove into it and was amazed at my output. There was something about putting up my hard-earned money and being forced to deadlines that made me push myself beyond my perceived limits. The analysis of the stories, the exploration of what other writers were doing, and the giving and receiving of feedback from the students, especially from Richard Thomas himself, advanced me more in four months than all I’d learned on my own the seven years prior. I went into that class a bumbling novice and came out the other side feeling like, hey, I think I can do this!
Since working with Richard Thomas, I have fast-tracked my writing career and have accumulated a body of quality work. Four of the short stories I wrote in his classes have been accepted by notable anthologies. Now that I’ve earned professional rates for my stories, I was able to become an active member of the Horror Writers Association.
My writing style has gelled. I know what I can do, how I want to do it, and where my work belongs. I no longer look at other authors getting acceptances and being published, wondering what the secret is. When I think about how lost and unsure I was three years ago, I could kick myself for not investing in a serious writing class sooner. I’m now in my third class with Richard Thomas, his Advanced Creative Writing Workshop.
So, my advice to any new writers out there, or any writers who’ve been struggling for a long time, is to find a writing group, course, critique circle, or workshop. Do not keep doing the same things over and over again, wondering why you’re not getting anywhere.
Knowledge equals confidence. The more you know, the better you can wield your creative powers. Give your writing the chance it deserves. Keep learning, keep growing.
The beautiful thing about writing fiction is you’ll always be evolving, but it’s up to you to invest in yourself!
*****
Sara Halabi reads from her short story, The Eyes of the Tower, a dark and creepy fairy tale that will leave you in a state of morbid dread. Sara is a storyteller and freelance writer who was born in Venezuela and lives in Lebanon.
Read Sara’s Writers’ Mastermind member interview here.
You can listen to Sara’s first reading here.
https://writersmastermindgroup.com
By Christa Wojciechowski, originally published on The Writing Cooperative
Hello all! I hope you are having a productive creative week.
If not, I hope you are living to the fullest and taking notes until you get back to your WIP.
The Writing Cooperative published an article of mine last week. It is based on an essay I wrote for the virtual release event for Joseph Sale’s Dark Hilarity.
The transformational power of story fuels my writing as well as is the foundation for the Writers’ Mastermind.
This is for all the fiction writers out there.
You’re not mere entertainers.
You shape reality.
If you tell some people you’re a fiction writer, they think you live in the land of make believe. You’re a dreamer, an entertainer at best. Yes, we fiction writers like to dream, both while we’re awake and asleep. Sure, we like to indulge in our fantasies. And of course, we like to escape. However, there is a much greater part of it that many don’t fully appreciate.
Storytelling is humanity’s way of learning, or recording history, of remembering the great ones. It is our way to warn, to educate, and to inspire. We pass on our wisdom to the next iteration of humanity, so instead of everyone having to learn all life lessons from scratch, we don’t have to reinvent the wheel.
The Hero’s Journey, the 5 Acts, the Epic Quest — you see it in everything we do—in marketing, in conversation, in our entertainment. As an outside entity looking in, you would think we are obsessed with ourselves. We tell ourselves stories about ourselves over and over and over again. But we are just trying to figure it all out. We are trying to get it right.
As we move forward, evolving as a society, as a species, and as individuals, story shapes us. Fiction is the vehicle. Reality is too close to our noses to see. Story is easy to understand and an engaging way to learn. This is why the wise men of ancient times spoke in parables. Myths, fables, fairy tales. Which is more effective? Telling a kid not to lie, or reading him the story of a boy who cried wolf?
Think about the books that most impacted your life. Were they non-fiction or fiction? I bet the first story that swept you away when you were a child was a fairy tale or an adventure. You aspired to the qualities of your hero or heroine. Later you might find other literary heroes to follow, ones who answer the questions that no one in your circle has the answers to. These writers become just as much a part of who we are as our parents, friends, and siblings. They help raise us, in a way.
I remember the first time I read Dostoevsky. I was maybe twenty, and I had never read anything like it before. An angsty and lost person, I couldn’t put my finger on why I was so miserable and frustrated with the way the world worked. He addressed my feelings with a story, lurking suspicions that I never knew I had until his words crystalized them for me. It was indirect, not accusing. I could absorb the ideas, any resistance or denial diluted by the narrative. As he put a name to this unease, it comforted me. It was okay. I was not the only one, even more than a hundred and fifty years later. Not wrong. Not crazy. Maybe I could pick up the baton and take his line of thinking further.
We can be a mystery unto ourselves until we find the right story to tell us who we are, how we feel, and why. The right book is like looking in the mirror. This can be unpleasant, curious, frightening, or exhilarating. It can be life changing.
Books are spooky in this way. They defy the laws of time and space. You can connect with an author’s mind from hundreds or thousands of years ago. You can read the stories of someone on the other side of the world. A tale can be transmitted through air in waves of sound as we read to one another, a message that encompasses the senses, emotions, space, and time, communicated by the vibrations in the throats of our fragile, degenerating bodies. Fiction allows you to transplant yourself into someone else. As the writer, it’s like taking possession of a body. As the reader, you are taking another’s thoughts inside your head. It is a conduit of empathy. It is telepathy … Read more.