I love to watch virtuosos on YouTube — pianists, violinists, dancers, and singers that seem to have supernatural abilities. They make their performances look effortless, but no one sees what it took for them to reach that level of mastery.
What about the hours of practice, the hundreds of times they got it wrong, and how they pushed forward despite the criticism? We don’t realize everything they sacrificed — family, friends, sleep, and fun — to become what they are. They remind me of the investment I need to make to become the best writer I can be.
Until recently, I’ve been a self-taught writer. I always thought that if I read enough books, followed enough writing blogs, and kept working hard, that I would get better. I did get better, a little bit at a time. Still, I sensed I was missing something.
I couldn’t put my finger on it, but the lackluster sales and rejection letters reaffirmed my suspicion. The feedback from family and friends said everything I did was great. So why was I stuck?
I figured what was needed was more effort. I wouldn’t become better just by wishing, right?
But working harder is not the answer.
As I browsed virtuoso videos, the algorithms directed me to a TEDx Talk, Become a Virtuoso by Mike Rayburn. I wasn’t planning to watch a Ted Talk, but of course I wanted to see if I could find out the secret not to becoming a good writer, but to becoming a writing virtuoso.
Mike Rayburn talked about how most of us coast, learning at a leisurely pace. We don’t actively seek out the most effective and efficient ways to develop our talent, so we hit a plateau and never discover what we’re truly capable of. It’s up to us to make the decision go beyond being competent to becoming the best.
Many of us pride ourselves on being self-taught. I always did. I thought I was making good progress, but what Mr. Rayburn says next was a bitter epiphany.
Here’s the problem about being self-taught: The teacher’s not that good.
Drop the mic right there. Would I presume to teach someone else how to become a virtuoso writer? What makes me think I’m qualified to teach myself how to become one?
The secret is, when you discover the stories of virtuosos, these geniuses didn’t do it alone. They had the best teachers and mentors to give them invaluable feedback and advice. This is what fast-tracked them to mastery, building a foundation on what’s already been done while cultivating the unique style that is each great artist’s signature.
It’s only after taking my first writing class that I’ve realized how much time I’ve wasted “teaching” myself. How would I know how to develop my strengths and work on my weaknesses when relying on feedback from everyday people who don’t even read in my genre? I’ve learned more in the past 2 months than in 7 years of struggling on my own.
My message to self-taught writers is this:
Invest in your dream. Seek out mentors. Budget for writing classes — online or in your local area. Find a tribe of knowledgeable writers in your genre.
You will be amazed at how quickly you improve, how confident you will feel, and how hopeful you’ll be about your future as a successful author.
Don’t waste another minute going it alone. You have no idea what a writing virtuoso you could be.
Anna David is a NY Times Bestselling and her new company, Launch Pad Publishing, is all about helping business owners position themselves as leaders in their industries by launching bestselling books.
Likewise, my goal for Let’s Get Published and the upcoming online Writer’s Mastermind is to help fiction writers position themselves for success in the fiction market.
But first, dear writers, you must get past everything that’s holding you back from realizing your best work.
I wrote this list for anyone who’s ever dreamed of creating something new but always talks themselves out of it.
(You’ll also get the scoop on how honestly scared I am about launching the Writer’s Mastermind!)
Where I live in the mountains of Panama, the only change of season we see is from rainy to dry. This begins to take place in November. There’s a shift in the wind and the town braces itself for the Fiestas Patrias (Panama’s Independence Days). Strings of small plastic flags crisscross the streets and flap as if applauding you whenever you drive beneath them. Grey clouds hover above the town as barjareque, (not quite rain, but heavier than mist) falls on the tourists and marching bands, covering them with a sparkling layer of microscopic droplets.
November also signals National Novel Writing Month, which I first participated in 2012. I had been wanting to write a novel my whole life, and the only thing that forced me to get a book started and finished was NaNoWriMo.
I completed my first ever book, surprising myself and triggering an addiction to finishing books ever since. Now when the winds of November change and I hear the echoes of the marching bands practicing for the Independence Day parades, I feel like a horse at the starting gate ready to race to my word count with all the other bucking writers.
I think anyone who’s participated in National Novel Writing Month start to look forward to it as a yearly tradition. It’s something to get excited about, and you are not alone in your enthusiasm and anxiety. You can connect with other writers who are on the same crazy train. NaNoWriMo helps to stop the usual procrastinating and put writing first for a whole month.
Unfortunately, I haven’t been able to participate in the last few years. My job consists of mostly writing now and my writing fuel and tolerance for sitting at the computer are wiped out by the time I finish my work for the day. I’m often traveling during this time for the holidays, which makes it difficult to scurry off to some quiet place to write.
I also don’t allow myself to participate because have to stop piling up manuscripts. It’s becoming a problem. I wrote three novels in a mad dash and they are still left rumpled up and tossed aside like piles of dirty laundry on the floor. I have no business writing more Nano novels until I clean these up, right?But I wonder… just because I wrote them, does that mean they should be published? Is it worth salvaging them? These were my first practice novels, before The Sick Series, when I had no idea what I was doing. Hell, I still don’t know.
Then, I decided to revisit the books to do a damage assessment. The story is about two artists – Antoni, who can’t stop the creative outpouring of his soul, and Ona, who is creatively stunted. They frequently talk about the reasons behind making art and what it means to them.
Their wisdom baffles me (did I actually write that?). In the very book I was going to chuck to the side, I received message from my characters. My voice came through them to tell me that maybe the world doesn’t need these books, but that doesn’t matter, because I do. I must finish what I started.
NaNoWriMo has taught me to get the book out. I’m so used to making the 50K a month word count that to this day I write in 1,667 word spurts. But it’s time to face reality and learn how to clean up the messes. Those of you who’ve followed this blog are sick of hearing it. I know a few of you are ready to clobber me over the head if I keep dragging on about The Sculptor.
Believe me, I attempted to revise several times. I did a lot of work and still didn’t get the desired results. I’ve realized that the most important part of writing is rewriting. No matter how experienced a writer is, no one writes a perfect first draft (or second … or third).
All the rewriting and revising methods I’ve tried helped so much, but they still left something missing. Even worse, sometimes I over-rewrote and the story it lost its raw core. That’s because I was trying to control it. Then I ended up completely lost.
Update Nov. 2019:
Another two years has passed since this original post above. November is here, with its cloudy, breezy days and the sound of snare drums ricocheting through the valley.
And no, my NaNoWriMo Novels are still not published.
And yes, I have new ideas for books that I’m dying to put on the page.
But I am restraining myself from NaNoWriMo this year again. No more new novels until my work on The Sculptor, which will resume in 2020.
In the meantime, I completed three new short stories which I am happy to announce will come out in an anthology with three other super-talented writers. It’s called Lost Voices and will be published by The Writing Collective.
As writers, we all have times of confusion, self-doubt, and setbacks. The important thing is to adapt as circumstances change, keep moving forward, and never give up on a story you believe in.
Are you doing NaNoWriMo this year?
What are your plans for the NaNo novels you wrote?
Let’s Get Published is community of writers, and we’d love to get a conversation going. That’s why we’ll be posting a Writers Share every now and then to keep a pulse on the writers working their wordly magic all over the world.
Today we want to know about what you’re working on right now.
Tell us about yourself and your work-in-progress by responding by email, leaving a comment, or posting on our Facebook page.
Tag or share with your writing friends so they can join too.
1. What have you written?
2. What are you working on right now?
3. What do you plan to do with your current work-in-progress?
4. Where are you feeling good about your path to becoming a successful writer?
5. What are you struggling with?
As for me, I’m in the middle of Richard Thomas’s Contemporary Dark Fiction Class. Since the beginning of September, I have finished 8 short pieces of fiction, two 3,500-word short stories, and 2 essays analyzing books we read for the class. I have crammed more short fiction writing in the last two months than I can believe.
Yes, my brain hurts, but I’ve realized that I can make things happen even when I’m pressed for time and feeling uninspired.
I also feel empowered. I used to wonder why my work is not getting accepted. Rejection letters rarely come with an in-depth report about what’s not working in a manuscript. It’s a writer’s job to know that themselves. This class is teaching me the secret language of good writing (there is a language under the language).
Of course, now I want to take down everything I’ve ever written and rewrite it.
When we don’t purposefully and deliberately choose where to focus our energies and time, other people—our bosses, our colleagues, our clients, and even our families—will choose for us, and before long we’ll have lost sight of everything that is meaningful and important. We can either make our choices deliberately or allow other people’s agendas to control our lives.
Greg McKeown, Essentialism: The Disciplined Pursuit of Less
When it comes to becoming a successful author, planning is 200% more valuable than writing. I’m not talking about outlining your stories and novels before writing them. That is important too, but I’m talking about planning on both macro and micro levels to reach your big picture vision of your life as a writer. Without planning ahead, we get distracted, sidetracked, and stray off task.
Aspiring writers are especially susceptible to writer’s drift, a state when we feel like life always gets in the way of our writing. There are several reasons we allow this to happen on a conscious or subconscious level.
1. Because we don’t earn a steady paycheck from writing yet, so we can’t justify spending time and energy on it.
2. We usually don’t have writing deadlines, except those we impose on ourselves. When we fail to meet them, who cares? No one knows but us. We have no one to hold us accountable.
3. We don’t know exactly what to do next, leaving gaps to be filled with interruptions, distractions, or someone else’s priorities.
We’ll get up for a job we’re not crazy about. We rearrange our schedule for our kids or significant other. We even drag ourselves out to walk the dog no matter how tired we are.
But how often do we take a stand for our writing?
The first chunk of time to be sacrificed when some unforeseen issue comes up is our writing time. Writing time is vague and unconvincing. People don’t respect it. Even we’re not sure what it is we’re not getting done when we’re not able to write. So it’s easy to dismiss it as no big deal.
The one person we fail is ourselves. And we don’t realize the impact it makes on our wellbeing when we’re constantly letting ourselves down by pushing aside our heart’s dream.
What would happen if you treated your writing with the same priority as other aspects of your life?
And how do we put ourselves into position to do that?
How do we do it without feeling guilty or self-indulgent?
Planning out your writer’s path to the smallest details will keep you committed to your writing. This means breaking things up in 5-year, 1-year, quarterly, weekly, and daily goals.
It’s not about finding time to write. It’s about making time to write.
Making sure you always have something scheduled to do next will ensure that you avoid wasting time, overwhelm, and paralysis. This will help you keep moving forward no matter what.
You’ll be able to ignore your fears and push past rejection. You’ll always be able to put one foot in front of the other by executing the next step in your plan.
Start Here
I’ve created a planning guide to avoid writer’s drift. You can download it for free using the link or form below.
Have you ever asked yourself this question and truly answered it?
This is important to define for yourself, the quality of your work. 2020 was a year of chaos, fear, and upheaval. As we begin the new year, it’s the perfect time to let the dust settle and get laser-like focus on why you write and how you’re going to get your words into the world.
It’s not easy to be an aspiring writer. Just tell someone you want to become a successful fiction author and their reaction will be something like:
Laughs awkwardly until they realize you’re serious.
Shows concern about your mental health
Says, “Really? Uhhh… Good luck with that.”
It’s the same look adults gave you when you were six years old and you told them you wanted to be an a pegasus when you grew up.
That’s because writing fiction is a time and energy-intensive pursuit that never guarantees a big material reward.
As a marketing strategist for authors, I see many writers approaching their writing career with a “lottery mindset.” They scribble out a book, feverishly upload it to Amazon, and wait for overnight success.
When they don’t wake up on the bestsellers list, they give up.
This the paradox:
Only by NOT writing for money or fame will you possibly become a successful author because once you begin writing for sales, your words will lose heart.
You must have a bigger reason than to become wealthy and famous. You need to think about who you’re writing for and how you want them to think and feel after reading your work. Either that, or writing must be so satisfying for you that it is its own reward.
Maybe you write because it’s therapeutic, allowing you to express yourself and make meaning of your experiences. Maybe you want to make people laugh and forget their worries. Maybe you just want to scare the hell out of them.
Not only will a writing manifesto help you on the hard days when nothing is working, keeping your mission in mind will inspire you to produce stories that will impact your readers and the world.
You got this!
Create your Writing Manifesto!
Join us for the Ultimate Author Planning Workshop in the Writers’ Mastermind.
Develop your own powerful Writer Manifesto.
Crystalize your vision of what it means to be a successful author.
Reverse engineer a step-by-step plan to your career as a fiction writer.
Avoid wasting time, overwhelm, procrastination, and paralysis.
