Do you save a new document every time you do a major revision?
Or do you write over the same draft?
I have learned the hard way that, even with minor changes, it’s a huge mistake to rewrite and edit over the same document.
I’ll give you an example with my current WIP, a short story …
In the middle of revisions, I decided to move elements around. I cut a scene, planning to paste it in another area, but I got distracted editing other mistakes I caught along the way. I cut more sentences, never having pasted the first scene in its new spot (or at least a temporary spot).
I saved over the draft without realizing what I had done. When I looked for the scene later, it was long lost, and I didn’t have the original draft to get it back.
This is just one horror story about why writers need to keep all drafts and ideas, no matter how useless they seem. Here is an article from Self-Publishing News that outlines all the reasons you should keep everything you write and never delete your drafts.
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Keep Everything You Write And Never Delete Your Drafts
Should you keep everything you write? Yes, definitely.
Words have value, even if you might not think so at the time.
If you are a new, young writer, make it a habit to save and store all your writing.
It doesn’t matter if it’s a half-finished poem, an introduction for an essay, or a failed attempt at a short story.
Why you should keep everything you write
Every writer has a file of unpublished work, often containing many more words than those published.
But just because writing is unpublished doesn’t mean it has no value.
Unfinished pieces of writing can sometimes become a source of ideas for you later.
Two verses of an incomplete poem might give you the inspiration for a short story or even a novel.
I often return to my writing archive for ideas or notes.
It saved me a lot of work recently. My publisher is producing an audiobook version of one of my earlier novels.
But the story involves quite a few characters, as it is set in different decades and countries.
Because of this, my publisher asked for a list of characters with a brief description to assist the narrator.
Within a few minutes, I found the list and accompanying notes from over ten years ago in my writing archive. It saved me days of work.
That’s one simple example of the value of keeping everything you write.
Never hit delete – hit save
You can recycle most rubbish. It applies aptly to writing.
You might think that what you write today is garbage. But it has value, and one day, you never know.
Some writers keep their work in notebooks, files, or journals. But most writers today store their work on a computer or online.
Storage space is of no concern to a writer. A full manuscript for a novel takes up far less space than one photo on your phone.
You don’t need to be pedantic like me. But I have all my writing in date-ordered files, with sub-folders for every project.
Yes, I keep everything and never trash a word.
Nothing you write is a waste
Every word you write counts.
Maybe not today. But when you need an idea or think you have writer’s block, your saved words can help you.
Reading some of your incomplete pieces of writing can give you a quick kickstart. You might even stumble upon a piece worth salvaging and start rewriting it again.
Dan Markowski is a fantasy and horror writer/reader and host of A Happy Moment Podcast. Today, he reads an excerpt from his dark fantasy tale, The Princess and the Spider.
How far would a caring mother go for the love of her husband and child? Perhaps too far? Today, Charlotta Amato reads her unsettling story, Glass Eyes, from her home in Norway.
Unlock the Magical Creator Within – A Workshop for Fiction Writers with Joseph Sale
Unlock The Magical Creator Within is a workshop designed to help unleash your full creative potential using a mixture of psychological, spiritual, and most importantly practical techniques.
In this session you will explore the history of the “Muse”, the divine source of inspiration, and the first principles of establishing contact with the Muse; going back to early childhood experiences of beauty and how we can harness this in the now; practical exercises from yogic mudras (hand positions) to breathing techniques that centre the mind and open the channels of creative thought; and much much more.
Unlock The Magical Creator Within is your ticket to writing your best-ever story, one that is not only entertaining but also healing.
Your instructor: Joseph Sale
Joseph Sale is an editor and writing coach who’s published more than 30 books, including the acclaimed novel Dark Hilarity, the epic poem Virtue’s End, as well as ghost-written best-selling autobiographies and non-fiction books. As an editor, his clients have been nominated for the Bram Stoker and Splatterpunk Awards, been finalists in the National Indie Excellence and Eric Hoffer Awards, and even submitted to the Pulitzers.
Now, Joseph Sale is on a quest to manifest the beautiful and divine in the world, and wants to show other creators, editors, and writers how to do just that. This workshop is based on his new release, THE DIVINE: Unlocking the magical creator within.
Workshop Includes:
Free Paperback or eBook copy of The Divine: Unlocking the Magical Creator Within(Paperback options depend on Amazon shipping options to participant’s location. Shipping is free.)
A seat at the live Zoom Class on Monday, October 3rd, 2022
Unlimited access to replay and workshop follow-up notes
Access to instructor for private questions
Workshop Outline:
0. First Principle of the Muse
An overview of what the Muse is and why we need the Muse.
1. Early Experiences of Beauty
Why is Beauty important how does it influence us?
2. Invoking The Muse
Practical exercises to draw down the dew of inspiration.
3. The Cave of Ideas & Wonder
Journey into the hidden depths of your subconscious and find your cave of ideas and wonder.
4. The Shadow Self
Learn how to harness your Shadow Self to produce greater art.
5. Becoming Magical
Changing your creative practice will change you.
Details
Zoom link will be sent via email on day of event
Access to replays will be sent after the event
Books will be sent out upon registration. An email will be sent within 24 hours to confirm shipping details. (Shipping is free)
If paperback book cannot be delivered to participant within one week of the class, the eBook format will be sent.
Writers are notorious for suffering from Imposter Syndrome, writers’ block, and chronic procrastination. I, myself, struggle with these neuroses every day. They never completely go away, but I have discovered how to become a more confident writer.
I started writing ten years ago, having virtually no idea what I was doing. Although I managed to finish a few novels and novellas, I knew there were issues with my writing. The problem was, I couldn’t tell what they were.
In 2019, I finally decided to take my writing seriously and signed up for my first writing class—Contemporary Dark Fiction with Richard Thomas. He’s the award-winning author of three novels, three short story collections, two novellas, and over 150 short stories.
Required reading for the class was four novels, sixteen articles, and sixteen short stories. The work included weekly writing assignments, four complete short stories (one per month), four analyses of the assigned novels, and critiques of the eight other student’s monthly stories. We also met once a week on video conference to discuss the week’s material.
I do not have a college degree. What little I knew about fiction I learned from reading my favorite authors and Google. To say this class was intimidating was an understatement!
But I dove into it and was amazed at my output. There was something about putting up my hard-earned money and being forced to deadlines that made me push myself beyond my perceived limits. The analysis of the stories, the exploration of what other writers were doing, and the giving and receiving of feedback from the students, especially from Richard Thomas himself, advanced me more in four months than all I’d learned on my own the seven years prior. I went into that class a bumbling novice and came out the other side feeling like, hey, I think I can do this!
Since working with Richard Thomas, I have fast-tracked my writing career and have accumulated a body of quality work. Four of the short stories I wrote in his classes have been accepted by notable anthologies. Now that I’ve earned professional rates for my stories, I was able to become an active member of the Horror Writers Association.
My writing style has gelled. I know what I can do, how I want to do it, and where my work belongs. I no longer look at other authors getting acceptances and being published, wondering what the secret is. When I think about how lost and unsure I was three years ago, I could kick myself for not investing in a serious writing class sooner. I’m now in my third class with Richard Thomas, his Advanced Creative Writing Workshop.
So, my advice to any new writers out there, or any writers who’ve been struggling for a long time, is to find a writing group, course, critique circle, or workshop. Do not keep doing the same things over and over again, wondering why you’re not getting anywhere.
Knowledge equals confidence. The more you know, the better you can wield your creative powers. Give your writing the chance it deserves. Keep learning, keep growing.
The beautiful thing about writing fiction is you’ll always be evolving, but it’s up to you to invest in yourself!
Sara Halabi reads from her short story, The Eyes of the Tower, a dark and creepy fairy tale that will leave you in a state of morbid dread. Sara is a storyteller and freelance writer who was born in Venezuela and lives in Lebanon.