Unlock the Magical Creator Within – A Workshop for Fiction Writers with Joseph Sale
Unlock The Magical Creator Within is a workshop designed to help unleash your full creative potential using a mixture of psychological, spiritual, and most importantly practical techniques.
In this session you will explore the history of the “Muse”, the divine source of inspiration, and the first principles of establishing contact with the Muse; going back to early childhood experiences of beauty and how we can harness this in the now; practical exercises from yogic mudras (hand positions) to breathing techniques that centre the mind and open the channels of creative thought; and much much more.
Unlock The Magical Creator Within is your ticket to writing your best-ever story, one that is not only entertaining but also healing.
Your instructor: Joseph Sale
Joseph Sale is an editor and writing coach who’s published more than 30 books, including the acclaimed novel Dark Hilarity, the epic poem Virtue’s End, as well as ghost-written best-selling autobiographies and non-fiction books. As an editor, his clients have been nominated for the Bram Stoker and Splatterpunk Awards, been finalists in the National Indie Excellence and Eric Hoffer Awards, and even submitted to the Pulitzers.
Now, Joseph Sale is on a quest to manifest the beautiful and divine in the world, and wants to show other creators, editors, and writers how to do just that. This workshop is based on his new release, THE DIVINE: Unlocking the magical creator within.
Workshop Includes:
Free Paperback or eBook copy of The Divine: Unlocking the Magical Creator Within(Paperback options depend on Amazon shipping options to participant’s location. Shipping is free.)
A seat at the live Zoom Class on Monday, October 3rd, 2022
Unlimited access to replay and workshop follow-up notes
Access to instructor for private questions
Workshop Outline:
0. First Principle of the Muse
An overview of what the Muse is and why we need the Muse.
1. Early Experiences of Beauty
Why is Beauty important how does it influence us?
2. Invoking The Muse
Practical exercises to draw down the dew of inspiration.
3. The Cave of Ideas & Wonder
Journey into the hidden depths of your subconscious and find your cave of ideas and wonder.
4. The Shadow Self
Learn how to harness your Shadow Self to produce greater art.
5. Becoming Magical
Changing your creative practice will change you.
Details
Zoom link will be sent via email on day of event
Access to replays will be sent after the event
Books will be sent out upon registration. An email will be sent within 24 hours to confirm shipping details. (Shipping is free)
If paperback book cannot be delivered to participant within one week of the class, the eBook format will be sent.
To continue our series of interviews with our short story contest winners, we talk to Sam Szanto, author of second place winner, If No One Speaks. Sam is an accomplished writer and poet, whose had nearly 40 stories and poems published and listed in competitions.
11 Questions with Sam Szanto
1. Tell us a little bit about yourself. Where are you from? Where are you now? What has your life been like?
I’m originally from Eastbourne (known as God’s Waiting Room), a seaside town in South-East England. I’ve lived all over England but mainly (20 years) in London. Last April, my family and I migrated to the other end of the country and now live in Durham, a city where everyone knows everyone (except us). I have a husband, two young children and an old tabby cat. Life has involved a number of jobs from (wo)manning an ice-cream kiosk to working at a girls’ private school to marketing for a national blind charity, and now writing as much as possible while freelancing as a copy-editor and English tutor. Much of my copy-editing is academic research for clients in Taiwan, although I also do novels, PhDs and whatever else anyone asks for.
2. What kind of stories do you like to write?
I write stories and poems; some are political, some about love relationships and some combine the two. They tend to be realistic, although I do like to add in the odd ghost! I also write a lot about displacement and alienation, with a particular interest in refugees (I am from a refugee family who came from Hungary in the Second World War). I like to place my writing in a wide variety of settings: Mexico, Madrid, Thailand, Cambodia, Venezuela, Russia, Bangladesh, etc. If you can’t travel far in real life, you can in your mind!
3. What sets you apart from other writers in your space?
I guess I haven’t read any other stories that sound as though I could have written them. But presumably every writer feels like that. I’m lucky now that I have the time to write, as I didn’t when I was younger – I have been reprimanded by a former boss for writing when I should have been working!
4. What drives your writing? What do you mean to accomplish with your stories?
I was once told by a novelist that ‘Writers need to write.’ This is absolutely true for me; and the older I get, the truer this is. I need to write, and I want to write. My aim is to publish a short story collection, which I have recently finished and am querying.
5. Who are your favorite writers and books? What are your other creative influences?
So many. I’m reading Val McDermid’s ‘1979’ at the moment, and Carolyn Forche’s ‘The Country Between Us’. I also always have an audio book on the go. My favourite short story writers and influences are Tessa Hadley (I was lucky enough to have been taught by Tessa on my MA in Creative Writing) and Elizabeth Bowen. My favourite novelist is Kate Atkinson and favourite poet Simon Armitage (neither seem very original answers!) but I could go on listing all day…
6. Tell us about your writing space. When and where do you write? Do you work in silence? Or music?
I write as much as possible, when I’m not doing paid work, housework or school pick-ups (I do also sleep). I can’t write with music anymore, although I did all my A-level English coursework with happy hardcore bulldozing into my ears. I write in silence in a study, interrupted by my kids asking what’s for tea and my husband asking what’s for lunch. The study is a luxury and blessing, as I spent each of the lockdowns in London writing at a table while the kids bounced up and down in front of the TV at the other end of the room.
7. What is your favorite thing to do when you are not writing?
I exercise a lot, mainly at the gym at the moment although we’ve also just bought a rowing machine. I’ve also got into gardening so I know I’m middle-aged. I also like the theatre. And of course, reading! When I was younger, I was often to be found unwashed at a music festival.
8. Who is your current artistic muse?
I’m not sure I have one, but I am smitten with the poetry of Warsan Shire, who wrote the poem I wish to have written (‘Home’).
9. Why do you think it’s important to write fiction?
Fiction has so many important roles. I can’t remember a day of my life when I haven’t read a book. Escaping into different worlds has got me through all the problems and hardships in my life to date. I’ve also learned so much about different worlds and times. Writing also has a very important role in mental health: it certainly helps me with that.
10. Who would be the best writer, alive or dead, to tell the story of your life?
Tessa Hadley. If only!
11. What are you working on right now?
A story about a school reunion, featuring a ghost, entitled ‘Everybody loved Romy’.
*****
About Sam
Sam Szanto lives in Durham, UK with her husband and two children. She has had almost 40 stories and poems published and listed in competitions.
In March 2022, her short story ‘If No One Speaks’ won second prize in the Writers’ Mastermind Short StoryContest; ‘Mikey’ was longlisted for the Bedford International Writing Competition (previously also highly commended in the Write by the Sea KQ Competition) and ‘The Thought of Death Sits Easy on the Man’ was published in WayWords, Issue 5 and ‘The Yellow Circle’ was published in Personal Bests Journal 3 (also published earlier by Storgy). In 2021, her story collection ‘Courage’ was a semi-finalist in the St Lawrence Book Awards; ‘Quiet Love’ placed third in the Erewash Writers Open Short Story Competition; ‘The New House’ was longlisted for the Crowvus Ghost Story Competition; ‘Rubbish’ was highly commended in the Glittery Literary Summer Competition and published in Anthology Volume 2; and ‘Don’t Refuse Me’ was listed in the Parracombe Prize Story Competition and published in the Parracombe Prize 2021 Anthology.
In 2020, Sam’s short story ‘Inaccrochable’ was published in Storgy; ‘125’ was a finalist in the 2020 Literary Taxidermy Competition and published in the Regulus Press anthology 124 Beloved – another of her stories in the 2021 competition also received an Honourable Mention; ‘Ferhana’ was published by Momaya Press in their Short Story Review 2020 and ‘Phil in Real Life’ was published in Secret Attic Booklet #6. ‘Making Memories’ was highly commended in the Michael Terence Publishing Winter Short Story Competition 2019 and published in the anthology The Forgotten. Also in 2020, Sam had stories shortlisted in the Writers Forum Competition, the 2020 Exeter Literary Festival Short Story Competition, the Doris Gooderson Short Story Competition and the 2020 Pennine Ink Writing Competition; and longlisted for the Flash 500 2020 Quarter One and the Cranked Anvil Short Story Competition.
In 2019, she won second prize in the Doris Gooderson Short Story Competition with her story ‘Letting Go’, which was published in the 2019 Chairman’s Challenges Anthology. Also in 2019, one of her stories was shortlisted in the Henshaw Press December Short Story Competition. Her flash fiction, ‘The Things that he Gave Me’ was published in Gold Dust.
Sam is also a poet and in 2022, three of her poems will be published in Europe Poetry Magazine and Horned Things Journal. In 2021, she was published in Alternate Route Zine. She won both the 2020 Charroux Prize for Poetry and the First Writers 12th International Poetry Competition. In 2019, she won second prize in the Hammond House International Literary Prize and was published in the anthology Leaving. Her poetry was shortlisted for the Grist Prize in 2019.
Sam is currently studying for the UK Poetry School / Newcastle University MA in Writing Poetry and also has an MA in Creative Writing from Bath Spa University.
Barbara Weitzner is the grand prize winner of the Writers Mastermind 2021/2022 Short Story Contest with Away from the World and All the Horrific Things That Happen In It. Poignant and heartfelt, it explores the reflections of a remorseful man as he lives out the rest of his days in a nursing home during COVID. Barbara Weitzner has written and published various short stories and novels and placed third in the 2015 Writers’ Digest Short Story Contest. She tells us when and how writing took over her life.
*****
Why We Write
By Barbara Weitzner
The reason I started to write was because I had retired from working. After the first few months of hanging around the house, a funny thing happened on the way to the kitchen for a snack. I changed direction and sat down at my computer and began to write a short story.
At first, my husband was thrilled. I was spending less time at the mall snatching up have-to-have bargains.
Sequestered in the den, smart phone turned off, I began to type my story.
In every story is the soul of the person who wrote it. I let the spell of each character, their words and thoughts take over until my characters seemed as real as family.
Soon, my characters were wearing me down. I did everything to raise them right, and as soon as they hit the page, they did anything they damned please.
Before I began to write my story, I was unable to button my jeans. With each hour spent mulling and deleting they began to hang pleasantly loose. While friends mulled over good restaurants and hairdressers, I worried about my protagonist’s unsavory personalities. Would my readers hate them, pity them, identify with them? Wish them well or hell? Would I have any readers?
Family noticed my less than perfect manicure, my rounded shoulders, the slight squint I’d developed in my eyes, a growing tendency for my mind to wander away from conversations.
My husband warned me my lack of returning e-mail and telephone messages was beginning to alienate a lot of folks. “And forget about sex, I’ll settle for a good home-cooked meal. You never have time to cook. Shut down the computer and read the directions on the oven,” he grumbled.
Hubby peered over my shoulder to read a sexy paragraph. He cleared his throat. He squinted. I noticed his eyes watering, was he reading lines too shocking to be kept in focus? He began to show the first signs of his age.
My canasta partners got annoyed when I lay my cards in my lap to jot down an idea. Friends got annoyed when their phone calls went unanswered. Hubby got annoyed when I’d jump out of bed to rewrite a paragraph. I stuck to my guns with the sangfroid of John Grisham, and when I completed my story, I e-mailed my submission to Writer’s Digest Short Story Competition. (November/December 2015) and waited months for an e-mail from the Writer’s Digest Editors my nails chewed down to my cuticles. (This is not an exercise for the faint-hearted). I wanted to be published before I dropped dead of anxiety or old age. I made promises to myself; if I only win a mention I’ll give money to charity, I’ll donate blood, help at our local soup kitchen. I’d give up ice cream. Give up chocolate.
Recently, my husband, my best friend, the love of my life, has passed away. I am still grieving.
My books, THE MOST GLORIOUS THING EVER, THE BOUGAINVILLEA CLUB, and THE PARRADINE ALLURE were published by Solstice Horizons (I do not have those editions I’d given them all to family). My short story, AN AMERICAN CHRISTMAS received honorable mention in the 2006 LA BELLE LETTRES short story contest. My article, IT’S NEVER TOO LATE, appeared in the September 2014 issue of SOUTHERN WRITING. My short story, FIRST LOVE was accepted for the 2014 fall issue of GEMINI MAGAZINE 2015. My short story HARRIETT S FATHER was accepted for TELL US A STORY December 2016 quarterly issue. I received an e-mail on 10/19/15 from The WRITER’S DIGEST Editors. My story won third place! And I am proud to have won first place in WRITERS MASTERMIND, for AWAY FROM THE WORLD AND THE HORRENDOUS THINGS THAT HAPPEN IN IT.
It’s time for the second annual Writers’ Mastermind Read Your Story Mash-Up Challenge!
What is it?
Each attending writer will read up to 5 minutes of their work on video. It can be a published work or an excerpt of a work-in-progress. Flash fiction, short stories, chapters of novels of any genre are all welcome (please nothing extremely graphic).
Recorded readings will be done on the live Mastermind Mash-Up Zoom call or can be pre-recorded by the author and sent in to be added to the Mash-Up video.
Why do it?
Video is the best way to connect with your audience. They can both see and hear you and get to know your work on an intimate level.
Learning to read to your audience will prepare you for future publicity events (social media lives, book signings, etc.)
We know many authors feel uncomfortable putting themselves out there—not just on video, but in any form. By accepting this challenge with us, you will break through resistance when it comes to promoting and sharing your work.
The mash-up will shared on our website, social media, and mailing list. It will also be advertised, giving you and your writing free exposure and opening you up to new readers, friends, and followers.
This is a great opportunity to have some fun, maybe step out of your comfort zone, and become part of a collaborative project with all the writers in the community.
When is it?
There are two options:
Wednesday April 13th 11:00 AM EST
Saturday April 23rd 11:00 AM EST
Tips On Choosing Your Excerpt
5 minutes of reading is approximately 1,000 words
Do a practice reading beforehand to time yourself
Your excerpt can be slightly under or over 5 minutes so you can end the reading in a good spot
Do you feel stuck and unsure as a writer? Are you not getting acceptances, not making sales, not writing to your full potential? How can you break through the self-doubt and noise to start carving out your unique space in the world of fiction?
Ross Jeffery is joining us for a Live ZOOM chat this Thursday to talk about his experience.
Ross is the Executive Director of STORGY literary magazine and its Head of Books. He is also the Bram Stoker Award Nominated Author of Tome, Juniper, and Tethered.
It’s hard to believe that Ross had given up on writing for seven years. Yes, 7 years! Now he is exploding in the dark fiction scene, and he is going to join us on Zoom to talk about how to break through as a writer.
What You’ll Learn – How to Break Through as a Writer with Ross Jeffery
Why Ross gave up writing for so long and what made him start again
What drives his dark, disturbing stories
The breakthrough moment in his writing career that got his momentum going
How writers can approach other authors for blurbs
How writers can position themselves to be nominated for awards
Ross’ advice for all those writers who have given up, are thinking of given up, or haven’t even started
