🎉Self-Editing Virtual Mastermind Wednesday 8/18/21

Join us for the Systemized Self-Editing Live Zoom Mastermind with Candace Johnson

Comma splices, appositives, grammatical expletives, purple prose, awkward dialogue, redundant characters, infodumps, structural issues, plot holes.

No one writes a perfect first draft. Even the most skilled writer makes mistakes.

Once your story is done, how do you keep track of all the things that can possibly go wrong?

And publishers rarely give a reason for rejection. What if an editing issue is the reason your otherwise amazing story was passed up?

Our upcoming self-editing mastermind event is about developing a foolproof system to make your stories and manuscripts the best they can be before submitting to agents, publishers, or a professional editor.

Learning to self-edit will also incrementally help you become a better (and faster) writer.

We invite you to join us and to bring your most pressing editing questions and struggles. We will help you settle them once and for all!

Our Guest Expert

Candace Johnson is a professional freelance editor, writer, proofreader, and ghostwriter. She has worked with traditional publishers, self-published authors, agents, and independent book packagers in numerous fiction genres and nonfiction subjects. As an editorial specialist, she believes in maintaining an author’s unique voice while helping to polish every sentence to make it the best it can be.

Details

Wednesday, August 18, 2021

08:00 AM Pacific

11:00 AM Eastern

4:00 PM London

Check Your Time Zone Here

Location: on Zoom

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How to Join Meeting

FIRST:

Sign Up for your 30-Day FREE Trial to the Writers Mastermind

SECOND:

Explore the members area, check out the Systemized Self-Editing Masterclass, and download the workbook.

THIRD:

You will receive your link to the virtual mastermind on the day of the event.


Get Access to this Event and all Writers Mastermind events, masterclasses, story relays, critique swaps, and more with your free trial!

Cancel at any time.

Join us Thursday for a Live Q&A with Ross Jeffery – How to Break Through as a Writer

ross jeffery

Do you feel stuck and unsure as a writer? Are you not getting acceptances, not making sales, not writing to your full potential? How can you break through the self-doubt and noise to start carving out your unique space in the world of fiction?

Ross Jeffery is joining us for a Live ZOOM chat this Thursday to talk about his experience.

Ross is the Executive Director of STORGY literary magazine and its Head of Books. He is also the Bram Stoker Award Nominated Author of Tome, Juniper, and Tethered.

It’s hard to believe that Ross had given up on writing for seven years. Yes, 7 years! Now he is exploding in the dark fiction scene, and he is going to join us on Zoom to talk about how to break through as a writer.

What You’ll Learn – How to Break Through as a Writer with Ross Jeffery

  • Why Ross gave up writing for so long and what made him start again
  • What drives his dark, disturbing stories
  • The breakthrough moment in his writing career that got his momentum going
  • How writers can approach other authors for blurbs
  • How writers can position themselves to be nominated for awards
  • Ross’ advice for all those writers who have given up, are thinking of given up, or haven’t even started

Date and Time

Thursday, August 12, 2021

2:00 PM Eastern

7:00 PM London

Check Your Time Zone Here

Location: on Zoom

How to Join Meeting

Sign Up for your 30-Day FREE Trial to the Writers Mastermind

All Members will receive their link on the day of the event


Get Access to this Event and all Writers Mastermind events, masterclasses, story relays, critique swaps, and more with your free trial!

Cancel at any time.

How to sharpen your writing in minutes

sharpen your writing

Unnecessary, weak words, like grammatical expletives, dilute our writing, but most of us don’t even realize we’re using them. That’s because they are part of our everyday conversation.

I’ll tell you about my rude awakening to filler words and weak qualifiers (e.g. “very, really, a lot”). When I was going through the editing process with my first novella, I noticed I used the word “just” twice in a sentence. Out of curiosity, I searched up how just many “justs” were in the whole document. My story was infected!

Here is a list of overused vague qualifiers/filler words. Sharpen your writing in minutes by searching your manuscript with the “find and replace” feature and removing/changing these words.

  1. very
  2. too
  3. so
  4. quite
  5. rather
  6. somewhat
  7. basically
  8. virtually
  9. generally
  10. slightly
  11. really
  12. a lot
  13. sort of
  14. indeed
  15. still
  16. almost
  17. fairly
  18. even
  19. a bit
  20. a little
  21. kind of
  22. usually
  23. a few
  24. mostly
  25. and my favorite “just“

Stephen King said that the road to hell is paved in adverbs. I would then say that same road is blacktopped with the words in this list. It’s almost impossible to get out of the habit of using them, so make sure you look for them before submitting, publishing, or turning your manuscript over to your editor.

What word out of this list do you notice in your writing?

I’d love to know if you’ve filtered your writing for these words. How many did you find?

Happy Writing!

—Christa


Our focus this month is on
systemizing your self-editing process.

Join us for the masterclass and live Q&A

free with your 30-day trial!

“There are” Grammatical Expletives Weakening Your Writing—Just Publishing Advice

Grammatical expletives are not dirty words, but they can be equally offensive. Grammatical expletives are empty words that take up valuable space and dilute the power of your sentences.

This article from Just Publishing Advice tells us how to target these words in your writing and how to formulate your sentences so that each word does a job.

How You Can Fix The Grammatical Expletive With Easy Examples

By Derek Haines

You probably use the grammatical expletive very often in your writing. But what is it?

The definition of the word expletive is an oath or a swear word. But in grammar, it means to use a word or phrase to fill out a sentence without adding to the meaning or sense.

The word derives from the Late Latin word, expletivus, which means to fill out.

When you know what you are looking for, you can quickly edit these words with no meaning.

What are expletives in grammar and writing

They are empty words that occupy space in a sentence but with no meaning or action.

The most common forms use there or it as the subject of a sentence.

When a sentence starts with either of these two subjects, the verb that follows is usually the verb to be.

The forms are almost the same.

There is/are/was/were/will be

It is/was/will be

When you start a sentence with any of these combinations, the words say nothing.

As with many writing rules, there are exceptions. For example, you can certainly use grammar expletives when you want to add emphasis or delay the main subject of the sentence.

However, in general, the best practice is to remove them when you can.

Grammatical expletive examples

Here are some example sentences that start with the expletive.

  • There were more than one hundred and fifty people at the wedding.
  • It was a very violent storm that hit the city last night.
  • There are so many politicians riding on the gravy train.
  • It is my fault that we lost the match.
  • There are lots of reasons why you shouldn’t take the job.
  • It will be my 21st birthday in June.
  • There is no way you can learn all the grammar rules.

As you can see from these examples, the first words give no meaning, sense, or action to each sentence.

How to fix grammatical expletives

If I use the sentences above, you have some options to change each one.

All you need to do is start the new sentence with a subject that is a person or thing, and if possible, follow it with an active verb.

There were more than one hundred and fifty people at the wedding.

  • More than one hundred and fifty people attended the wedding.
  • The wedding was attended by one hundred and fifty people or more.

It was a very violent storm that hit the city last night.

  • A very violent storm hit the city last night.
  • The city was hit by a very violent storm last night.

There are so many politicians riding on the gravy train.

  • So many politicians are riding on the gravy train.
  • The gravy train is ridden by so many politicians.

It is my fault that we lost the match.

  • We lost the match because of me.
  • I lost the match for my team.

There are lots of reasons why you shouldn’t take the job.

  • You shouldn’t take the job for lots of reasons.
  • You’ve got lots of reasons not to take the job.

It will be my 21st birthday in June.

  • I’m turning 21 in June.
  • My 21st birthday is in June.
  • In June, I’m celebrating my 21st birthday.

There is no way you can learn all the grammar rules.

  • You can’t possibly learn all the grammar rules.
  • Don’t think that you can learn all the grammar rules.

With a little practice, it is almost always possible to rewrite a sentence without changing the meaning.

When to use the expletive

You all know this famous phrase. It is the opening line written by Edward Bulwer-Lytton in the novel Paul Clifford (1830).

It was a dark and stormy night.

When you think about how you would change this sentence, the possibilities don’t seem right. The night was dark and stormy; it doesn’t have the same ring to it.

Although the expression may have originated before the 14th century, it was made famous by Judy Garland in The Wizard of Oz.

There’s no place like home.

In the Tale of Two Cities, Charles Dickens uses the grammatical expletive to emphasize each element of the sentence.

It was the best of times; it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair …

As you can see, using expletive phrases have a use. So while you are not competing with the greats of literature, you know that it is a tool you can use.

Summary

There is no right or wrong when it comes to using either common or grammatical expletives.

But usually, a little goes a long way. When you are aware of the rules, you can then decide to edit them out or leave them as is.

Good writing is about making good grammar and syntax decisions.

Of course, it always helps if you know a grammar rule before you break it.

If your intention is to use a cleft sentence, create rhythm, add emphasis, or anticipation, then go ahead and use expletive phrases.

But when you are editing and polishing your writing, look for instances where you might be overusing them.

If there is no reason to use the grammatical expletive, it’s probably best to rewrite the sentences and make them more active and interesting.


Just Publishing Advice

JustPublishingAdvice.com

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Our focus this month is on self-editing.

Join us for the masterclass and live Q&A, free with your 30-day trial!

Meet Christie Adams—Blogger, Podcaster, Coach, and Author

Every other Monday, we introduce you to a writer from the Writers’ Mastermind. Today we are excited to present Christie Adams. She is a storyteller, blogger, podcaster and videographer who writes short stories, children’s books, mysteries, thrillers, YA novels, and even erotica.

Christie is also the host of our Time Management for Writers Masterclass, available in the Writers Mastermind.

Learn how Christie left the rat race to pursue a life she loves and why she says that mid-life is anything but a crisis.

1. Tell us a little bit about yourself. Where are you from? Where are you now? What has your life been like?

I’m a Yorkshire woman, over 50, rebellious grandmother and global online entrepreneur. Storyteller, blogger, podcaster, videographer, motivational and creativity coach, eco advocate, travel addict (on hold right now) and multi-passionate ‘squirrel.’


Whilst bringing up my family, as a single mum, and working full time, I completed a BA Hons in Literature.
I didn’t want to settle for something I knew wouldn’t be fulfilling or rewarding, but leaving the rat race was a hard decision.
Since age 13 I’d always had a pay slip, a regular income. There’s been tears, doubts, rebellion even anger.
I’ve come out the other side and I’ve never been happier!


History…
In my teens…
left home, joined the army and then left again to start buying my first home. I worked two jobs, and spent Saturday nights from 2am until 8am at the cinema watching Kung Fu films.
In my 20s…
worked hard, partied hard – well maybe a little. Moved from my first apartment to a house with a garden and had no idea what I wanted to do when I grew up.
In my 30s…
moved house again, became a single parent to my awesome daughter. Adopted a dog, a big dog! Faced redundancy, a few times, got promoted, and still didn’t know what I wanted to do when I grew up.
Volunteered for the YHA, painted hostels, worked with teenagers. I read to nursery children each week. My first official taste of giving back in the community.
Promotion and redundancy and led to numerous pivots in direction.
In my 40s…
realised my career wasn’t what I wanted to do ‘when I grew up’ so I went back into education, still working full time to afford the fees. After 6 years of deadlines and assignments I completed my Bachelor of Arts in Literature, oh and trained as a swimming teacher.
Adopted a dog, a different loopy dog, and volunteered as a mentor for teenagers and students.
In my 50s…
having gone through yet more pivots and changes. I got married. Became a grandmother. Moved to another town, co-incidentally ending up back where I was born.
I was yet again offered a change in role. You may notice a theme here! This time I decided to take the redundancy offer.
I took a gap year, travelled, wrote fiction and had family time.
Some of my life’s changes were my choice, some certainly came out of the blue and were well beyond my control. I’ve been there, done it, acquired quite a few t-shirts but I’ll tell you now it certainly wasn’t all plain sailing.
Sometimes it was downright scary.
Anyway, I’m super proud to tell you I’ve learned to embrace change and now move forward with optimism and confidence.
In my 60s…
Watch this space!

WATCH VIDEO ON YOUTUBE

2. What kind of stories do you write?

I write short stories, children’s books, mystery, thriller and YA novels, and even erotica.

3. What sets you apart from other writers in your space?

I believe passionately that everyone should use their voice. Mine is no better than another but is unique. We bring our own experiences, culture, perceptions, imagination and opinions to all our work.
The more I write, the more I’m confident to allow my own voice be heard.


4. What drives your writing? What do you mean to accomplish with your stories?

My ‘Why’ is to support my family. I’d love to buy my daughter a home, it’s so difficult to get on the property ladder in the UK.
I have always been a book addict, so writing them was a natural development.


My grand-babies love being part of the process too, and I’m thrilled to have instilled a love of books in them too.
If I get a chance to mention my beloved Yorkshire I will.
So far, I’ve written ‘escapism’ books to allow people to enjoy a fictional world. I am working on various non-fiction books.


My book ‘Well Really, Fairy Rose, by Ruby and Angelica Brave’ was the most ‘important’ book for me on a personal level.
I want all children to see themselves in books. I commissioned an artist to base the main character on photographs of my mixed-race grandbaby. Diversity in books is improving but still a long way to go. WRFR encourages care for the planet and nature without being ‘preachy.’

5. Who are you favourite writers and books? What are your other creative influences?

I studied literature and over the years have read so many I can’t pick one favourite. I do love The Color Purple, Jane Eyre and other classics.


The recent books that have blown my mind are Sapiens and Homo Deus by Yuval Noah Harari. I will at some point read his others, but they are truly life changing.


Peter James writes great detective novels. I’ve just discovered Gregg Hurwitz who is a genius at page-turning thrillers. Stieg Larsson books are dark but inspire me to embrace a darker story.

6. Do you write in silence? Background noise? Or music? What kind?

Depends on what I’m writing. I can’t write fiction is anything with lyrics is playing. If I play music, classical, instrumental, even whale music I cut off anyway and don’t hear it as I’m deep inside the world of my characters.
If I’m doing admin etc I listen to podcasts.


7. What is your favourite thing to do when you are not writing?


Toddler wrangling, board games, Top Trumps or drawing on Procreate with my grandbabies. We also have a great game of storytelling. We each get a couple of sentences and then take turns to build a story. I hope it’s helping them know it’s OK to have fun with words. We also watch Tiktok together. I love that they know their Nannan works on social media, so they see a positive side.


Helping my daughter as she builds her new business.
Knitting, sewing, rock painting, creative stuff.
TV, addicted to real crime, NCIS, Law & Order etc.

8. Who is your current celebrity crush?

Along with the other 5 million, @taylor_thatdancer on Tiktok.

It’s important to remember that fiction is not desire or ambition. The darkest fiction is often written by the most generous and settled writers. By allowing our shadow side to be indulged in our writing, we release from our ‘real’ world.

9. Why do you think it’s important to write fiction?

It’s important to remember that fiction is not desire or ambition. The darkest fiction is often written by the most generous and settled writers. By allowing our shadow side to be indulged in our writing, we release from our ‘real’ world.


Books have power. It can be a way to give a political or revolutionary thought. Story can be life changing or life affirming. It can also just be a good read. It doesn’t always have to be ‘important.’

I have no idea why I love it, but I will always make things up.

10. Who would be the best writer, alive or dead, to tell the story of your life?

Great question. Stephen Fry does ridiculously well researched books and makes the facts easily understandable. I guess me, coz there’s so much that others don’t know. Lately I have been thinking of writing a bio. Kafka, too dark. Attwood, I’m too humble. Dickens would be fun, just to show he can write good women after all.

11. What are you working on right now?

Lol! Erotica, as it’s bringing some money in. Editing (ugh) my next thriller. A business planning book. A children’s book.
I’ve also got a book that I’m writing twice. No idea if it’ll work, but I’m toning it down to a YA book, and making it extremely dark as a post-apocalyptic horror.


Ashes – A Jezzabelle Jones Mystery

A warehouse fire leaves a homeless military veteran dead. In his pocket a dog-eared birthday card, and a faded photograph of a young girl.


Jezzabelle ‘Belle’ Jones, insurance investigator, is surprised when she’s trusted with the case. It could finally lead to her long-awaited promotion. Her instincts tell her this fire wasn’t an accident.


When her boss comes under pressure from the wealthy warehouse owner, she’s told to close the case quickly.
She knows she should follow the rules, but Belle’s never liked doing as she’s told.


She calls on Barnaby ‘Mac’ St John, a reclusive ex-firefighter, to help her work out what happened. The little girl in the photograph deserves answers.


Then there’s another fatal fire… Can Belle keep her job long enough to catch the arsonist? How many more people will die before she solves the case?

This first Jezzabelle Jones murder mystery is set in Yorkshire, England. If you love crime solving duos, this new pairing will not disappoint.

June 2021 – This version is a rewrite and edit. It is the same story, but the book has been improved overall for the reader’s enjoyment. Link: https://books2read.com/ashesmystery

Connect with Christie Adams

Podcast: Midlife Isn’t A Crisis
Facebook Group: Midlife Isn’t A Crisis
Facebook
Twitter
Instagram
YouTube


Thank you, Christie!

Check out Christie’s amazing masterclass in the members area. It’s free with your 30-day trial to the Writers Mastermind.


In Time Management for Writers with writing coach Christie Adams, we discuss how to:

  • Build awareness around the habits and thought patterns that are draining your time and energy.
  • Get organized in a way that increases productivity and helps you avoid distractions.
  • Set boundaries around your writing life.
  • Use 10 Action Points to create more time and space for writing.

What’s included:

  • Time Management for Writers 35-page Workbook
  • 5 Part Video series
  • Support, motivation, and advice in our private Facebook Group
  • Live Mastermind Q&A with Christie Adams
  • Access to our live write-ins and all classes in the members area

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