As a writer, I know the submissions process can be a huge mental and emotional drain. Not only is it time-consuming and tedious, there are the nail-biting weeks or months afterward waiting for an answer.
If the answer is no, a writer must go through a period of grief and summon the strength to get back out and submit again.
But being rejected often has nothing to do with the quality of the writing.
As the contest creator, I was the gatekeeper and was forced to disqualify stories for the silliest of reasons. In many cases, the writing was great, and it was frustrating because the issues that prevented the story from being in the competition were completely avoidable.
It pains me to see talented writers sabotaging themselves
when it comes to submissions, writers who are racking up needless rejections
that are killing their self-confidence.
So, as a person who not only has suffered rejections, but has also had to read through hundreds of submissions, this is my advice.
1. Not following directions – Read the submission guidelines and contest rules until they’re branded into your brain. Then read them again. Before you send in your manuscript, read them again. Each magazine, agent, or publisher will have slightly different guidelines. Pay attention to requirements for formatting, cover letters, submission length, blurbs, bios, and more. Be especially wary of the next items I discuss in this list.
2. Word count – During our Spring Writing Contest, many submissions were below or above the 1K to 5K word count. I couldn’t understand why. I could only think the writer ignored suggestion #1—carefully read the submission guidelines. There is no excuse to ignore the word count requirement.
If your story is too short, fill it in. Find areas where you can expand. Add some more to detail to the setting. Incorporate a new scene to reveal character.
Likewise, if your story or book is too long, trim some fat. Skim
off anything that is not crucial to the plot. Remove unnecessary description.
Kill darlings without mercy.
If the word count is too far off to feasibly adjust, move on.
2. Mistakes – No matter how interesting a story is, typos and grammatical errors are sure to turn off any reader, especially literary professionals. It says to the organization that you don’t care enough to send your best work—either that, or you’re an incompetent writer who didn’t even realize you made any mistakes.
Being a good writer means you know how to write. This includes grammar and punctuation. If you’re struggling with the technical aspects of writing, take a class so you can execute with confidence.
Then find an editor. Even if you’re an English major, everyone makes mistakes and it’s hard to see them in your own work. Send your work to a professional first.
3. Submitting the totally wrong thing – The contest here at Let’s Get Published was for short stories in any genre of fiction. Short stories are a standalone art form with a very specific structure, yet I received many of what very obviously were chapters of a book. Some authors left the chapter heading in the document! Even the incomplete entries that didn’t have chapter headings were very noticeably just chapters, scenes, or excerpts. I was also puzzled to receive poetry and non-fiction (again, see #1)!
Don’t risk annoying agents and publishers hoping that by some cosmic chance that they’ll be so captivated by your work they’ll ignore the fact that you broke their guidelines. Make sure you’re sending them the material they work with or you’re wasting both their time, and more importantly, yours.
4. Not familiarizing yourself with the agent or publisher – From my personal experience as a writer, I know it’s tempting to jump after every submission call you see. I’ve submitted without ever having read anything from the publishing house, agent, or magazine and ended up rejected. I would have saved everyone time if I had sampled from their stable of writers first.
Read up on the writers your desired publisher works with to see how you compare. Beyond the genre, ask yourself if your style, theme, and subject matter are good fit. What is the publisher known for? Do they have any non-negotiables when it comes to sex, violence, or other graphic material? Do they stick to certain tropes or subvert them? This will help you avoid sending your work into places where it’s not likely to be accepted.
In closing
It’s a shame to think that some talented writers become discouraged or give up entirely because of rejections when they’re only crime is failing to submit properly.
Remember that agents, publishers, and writing contest judges are people too. Respect them and your work enough to be professional. Stop wasting your time and energy chasing after calls that don’t suit your story. Don’t rush to submit or send in sloppy drafts. Take your time. Do your homework.
You might submit less, but you’ll be submitting effectively. This will exponentially increase your chances of getting more acceptance letters and contest wins. It’s definitely a quality not quantity game here. Treat your writing like the one-of-a-kind art that it is.
#PitMad is a pitch party on Twitter created by PitchWars.org where writers tweet a 280-character pitch for their completed, polished, unpublished manuscripts. Agents and editors make requests by liking/favoriting the tweeted pitch.
Every unagented writer is welcome to pitch. All
genres/categories are welcomed.
#PitMad dates 2020
March 5, 2020 (8AM – 8PM EDT)
June 4, 2020 (8AM – 8PM EDT)
September 3, 2020 (8AM – 8PM EST)
December 3, 2020 (8AM – 8PM EST)
For Official #PitMad rules and the list of category hashtags,CLICK HERE.
About Pitch Wars
Pitch Wars is a mentoring program where published/agented authors, editors, or industry interns choose one writer each, read their entire manuscript, and offer suggestions on how to make the manuscript shine for an agent showcase.
We’re getting ready to launch the Writers’ Mastermind, and as part of connecting our writing community, we’ll be sharing the latest accomplishments of our members.
Today, we share groundbreaking book releases and stunning art from our cadre of creatives.
***Do you have a book coming out? A cover reveal? Has a magazine published your short story? Have you landed and agent? What’s new with your other creative pursuits? Send your news to christa@letsgetpublished.com.
Juniper, the debut novel by Ross Jeffery
After a 7-year writing hiatus, Ross Jeffery is claiming his place on the weird fiction scene with his first book, Juniper. Truly weird and wild, Juniper will keep you rapt in morbid curiosity, even through the moments you want to recoil.
Ross Jeffery
Ross Jeffery is a Bristol based writer and Executive Director of Books for STORGY Magazine.
Ross has been published in print with STORGY Books, Ellipsis Zine 6, The Bath Flash Fiction Festival 2019, Project 13 Dark and Shlock Magazine. His work has also appeared in various online journals such as STORGY Magazine, About Magazine TX, Elephants Never, 101 Fiction, Ellipsis Zine, Soft Cartel and Idle Ink.
Ross lives in Bristol with his wife (Anna) and two children (Eva and Sophie). You can follow him on Twitter here @Ross1982
Juniper
Juniper is the first book in Ross Jeffery’s proposed trilogy: a post-apocalyptic horror about an insane American town seemingly at the edge of reality. As Juniper suffers from scorching drought and medieval famine, the townsfolk are forced to rely on the ‘new cattle’ for food: monstrous interbred cats kept by the oppressed Janet Lehey.
But there’s a problem: Janet’s prized ginger tom, Bucky, has gone missing, flown the coop. As Janet and her deranged ex-con husband Klein intensify their search for the hulking mongrel, Betty Davis, an old woman clinging to survival on the outskirts of Juniper, discovers something large and ginger and lying half-dead by the side of the road.
She decides to take it home…
Juniper is surreal, dark, funny, and at times: excruciatingly grotesque. Buckle up for a wild ride through the dust-ridden roads of a tiny, half-forgotten American town…
Charlotta Amato is not only a talented aspiring writer, but she also paints mesmerizing artwork—one of a kind, layers of color, life and livity all combined onto a canvas.
Her exclusive works are for sale. Learn more on her Facebook Page.
Save Game by Joseph Sale
Save Game is the latest novel from brilliant author, Joseph Sale. This book is a fully immersive page-turner, just like it’s subject matter. Most writers will relate to wanting to escape into an exciting imaginary world, never to return.
Joseph Sale
Joseph Sale is an editor, novelist, writing coach and co-host of Monaghan & The Mindflayer. He currently writes and is published with The Writing Collective. He has authored more than ten novels, including his Black Gate trilogy, and his love-letter to fantasy: Save Game. He grew up in the Lovecraftian seaside town of Bournemouth. He edits non-fiction and fiction, helping fledgling authors to realise their potential.
Save Game
Levi Jensen is, by all accounts, a loser. He failed sixth-form, never got to university, and works at a no-future fast-food restaurant. The only thing he’s good at is gaming. When his father starts dying of a new type of cancer, only treatable privately and at impossible expense, Levi’s one hope of saving him becomes the million-dollar cash-prize for winning the dark-fantasy video-game Fate of Ellaria. But Levi isn’t the only one with motivations beyond money for winning. And the price of success in Fate of Ellaria might mean the destruction of what little he has left in the real world.
Save Game is a heart-breaking story of an underdog against all odds, as well as a love-letter to the beauty of video-games. Inspired by the amazing and eclectic everyday people who inhabit the gaming world, and the pain of their real-world lives, Save Game aims to show the courage of those who feel they’ve got no place in reality.
Sandra Hould is a stay at home mom, environmentalist, karateka, artist, book addict and future writer. She is always exploring new ways to express herself creatively, no matter how difficult the quest may be.
My art will be raw, imperfect, unapologetic and real, just like life.—Sandra Hould
***Do you have a book coming out? A cover reveal? Has a magazine published your short story? Have you landed and agent? What’s new with your other creative pursuits? Send your news to christa@letsgetpublished.com.
I hope your 2020 is going well and that you’re being productive and feeling inspired.
A big thank you for helping me with your suggestions
Thanks to those who participated in the survey I sent out last month. The results were enlightening and I’m using your feedback as I develop the site. You can see in the graph below what our writers’ biggest concerns are. I’ll be addressing these topics first as I line up the curriculum.
Psst… The first class is almost finished, but I will wait to announce the subject at a later date 😉
You can still leave your feedback in the survey by clicking here.
An apology for the delay
The start of the year has been hectic, and the launch of the Writers’ Mastermind group is behind schedule. I am building this platform on my own from scratch, and personal issues keep popping up.
I’m trying not to dwell on how frustrating the interruptions are and keep focused on how excited I am for the future when we go live. Life doesn’t work on our schedules, unfortunately, so we just have to do the best we can!
But we’re making progress
The good news is I have laid out the foundation of the membership area of the site! I’ve acquired a powerful combination of Divi from Elegant Themes and the Memberpress plugin to create a visually appealing and well-organized learning experience for you all.
So, what’s next?
I’ll be working on finishing and testing the site during the next month. I’ll be traveling and limited to what I can accomplish away from the office, but my goal is to have our new launch date in April 2020.
Get your hair did. We’re having a soirée, and you’re on the VIP list!
If you’re on the wait list, you’ll be invited to a virtual pre-launch mixer where members all over the world will get together in a live video conference, enjoy their beverage of choice, and talk about their writing.
This is going to be a massive event since it will be the first time I speak live with writers who’ve been my close email and social media pals for years. I’m freaking out a bit about that! 🤯 But that’s the purpose of the Writers’ Mastermind. No more isolated writers’ syndrome!
Are you on the wait list?
I’ll be closing the wait list this week. Those on the wait list will get the pre-launch price of $9 a month. This price is locked in for a lifetime.
Those who sign up after the wait list closes will pay regular price of $19 a month. So get in now! SIGN UP FOR THE WAIT LIST.
In this world of indie publishing, anyone and everyone is writing a book, but should they be?
I might be a jerk for bringing this up, but I’ll say it.
I see a lot of crappy books out there.
It makes me wonder—if all these writers think they’re good, and I am just as optimistic about my abilities, could I be mistaken too?
Of Human Bondage by William Somerset Maugham is one of my favorite books about this creative dilemma. Fed up with a dreary accounting job, our protagonist, Phillip, goes to Paris to become a painter. He does well, but never creates anything extraordinary.
After the suicide of a classmate, who for all her artistic passion was a lousy painter, Phillip reevaluates his reasons for becoming an artist. He wonders what his future will look like if he continues to pursue his dream.
Phillip finally works up the nerve to end the subject once and for all by asking one of his painting masters to give an honest opinion of his work. The teacher is perplexed by his request.
Monsieur Foinet: “I don’t understand.”
Phillip: “I’m very poor. If I have no talent I would sooner do something else.”
Monsieur Foinet: “Don’t you know if you have talent?”
Phillip: “All my friends know they have talent, but I am aware some of them are mistaken.”
After Monsieur Foinet evaluates Phillip’s collection of work, he respectfully tells Phillip that he will never be anything other than a mediocre artist. Phillip decides to give up painting and go to medical school. Just like that — his abandons his whole Bohemian dream.
Unlike Phillip, I won’t give up writing no matter how paranoid I am about sucking. Although I would feel foolish pouring all of my energy into something I lack the talent for, whether anyone likes my writing should be secondary. Phillip’s friend and fellow painter, Clutton, puts it perfectly earlier in the book:
“What happens to our work afterwards is unimportant; we have got all we could out of it while we were doing it.”
That doesn’t mean I don’t care if my writing is bad. Like Phillip, I‘m afraid I am not, and will never be, any good. But I have to remember that I am still learning and to be okay with that. You should be okay with that too.
You wouldn’t expect to shoot par on your first trip to a golf course. You will hack and slice and end up in bunkers covered in sand. You will be humiliated and discouraged and tested, so don’t expect to sit down and write a brilliant novel if you haven’t devoted yourself to learning everything you can.
Sure, writing, like painting, seems to involve a certain amount of innate talent. I read scores of writers who create beautiful, technically perfect prose but whose writing is devoid of passion. Then there are those who are great at inventing characters and plot lines but lack the ability to make it all mean something. I used to believe they were missing that “it” factor that makes a great writer.
But the “it” factor is not always a mysterious gift bestowed on few. It’s mostly doing what you need to do to get better, whether it be technical or intuitive. I believe that with the right tools, instruction, feedback, and hard work, anyone can become a good writer.
Are you frustrated? Unsure? Do you feel like something’s off but you don’t know what?
Then think about this…
How many years did you have to attend school to earn a diploma? How much training did you go through for your profession? Now, how many hours have you devoted not just to writing, but to actively learning how to become a better writer?
Imagine if you took your writing as seriously as your job.
What training do you need?
Where can you get qualified feedback?
Think about where you feel a lack of confidence.
Analyze the areas where you can improve.
Respect your creative compulsions. Invest in yourself. Make a plan and take action to learn all you can.
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Christa Wojciechowski is a dark fiction author and the founder of writecatalyst.com/, a virtual Mastermind Community where writers will learn how to become successful authors through live video chats, critique swaps, monthly masterclasses, and featured experts. Sign up for the wait list here.
I love to watch virtuosos on YouTube — pianists, violinists, dancers, and singers that seem to have supernatural abilities. They make their performances look effortless, but no one sees what it took for them to reach that level of mastery.
What about the hours of practice, the hundreds of times they got it wrong, and how they pushed forward despite the criticism? We don’t realize everything they sacrificed — family, friends, sleep, and fun — to become what they are. They remind me of the investment I need to make to become the best writer I can be.
Until recently, I’ve been a self-taught writer. I always thought that if I read enough books, followed enough writing blogs, and kept working hard, that I would get better. I did get better, a little bit at a time. Still, I sensed I was missing something.
I couldn’t put my finger on it, but the lackluster sales and rejection letters reaffirmed my suspicion. The feedback from family and friends said everything I did was great. So why was I stuck?
I figured what was needed was more effort. I wouldn’t become better just by wishing, right?
But working harder is not the answer.
As I browsed virtuoso videos, the algorithms directed me to a TEDx Talk, Become a Virtuoso by Mike Rayburn. I wasn’t planning to watch a Ted Talk, but of course I wanted to see if I could find out the secret not to becoming a good writer, but to becoming a writing virtuoso.
Mike Rayburn talked about how most of us coast, learning at a leisurely pace. We don’t actively seek out the most effective and efficient ways to develop our talent, so we hit a plateau and never discover what we’re truly capable of. It’s up to us to make the decision go beyond being competent to becoming the best.
Many of us pride ourselves on being self-taught. I always did. I thought I was making good progress, but what Mr. Rayburn says next was a bitter epiphany.
Here’s the problem about being self-taught: The teacher’s not that good.
Drop the mic right there. Would I presume to teach someone else how to become a virtuoso writer? What makes me think I’m qualified to teach myself how to become one?
The secret is, when you discover the stories of virtuosos, these geniuses didn’t do it alone. They had the best teachers and mentors to give them invaluable feedback and advice. This is what fast-tracked them to mastery, building a foundation on what’s already been done while cultivating the unique style that is each great artist’s signature.
It’s only after taking my first writing class that I’ve realized how much time I’ve wasted “teaching” myself. How would I know how to develop my strengths and work on my weaknesses when relying on feedback from everyday people who don’t even read in my genre? I’ve learned more in the past 2 months than in 7 years of struggling on my own.
My message to self-taught writers is this:
Invest in your dream. Seek out mentors. Budget for writing classes — online or in your local area. Find a tribe of knowledgeable writers in your genre.
You will be amazed at how quickly you improve, how confident you will feel, and how hopeful you’ll be about your future as a successful author.
Don’t waste another minute going it alone. You have no idea what a writing virtuoso you could be.
